THE SEVEN SENSES ON SCENE
Pieza escénica de la creadora Lucía Trentini, inspirada en la exposición COMEN MURCIÉLAGOS LOS GATOS de Yese Astarloa.
The Seven Senses on Stage is a workshop on organic, harmonic and creative movement, with the intention of recovering a primordial dance and a gesture full of meaning. This movement is action, essence and life on the scene. The impulse that animates everything. The scene, both in authors, performers and spectators is represented and interpreted, before in our mind, where the cycle of creativity arises, to have more resources on these exciting topics, we will delve into our perceptual and representative systems. For this we will give a new approach to the study and we will reflect on our senses and the integration of these senses, in our nervous systems and how they act and condition, ourselves and the spectators, until we are conscious, to be able to invert it in our favor, as source of inspiration and wisdom.
We will make a review of the most transcendental theatrical theories in history, to rescue the most beautiful and universal of each of them, practicing them from another methodology, to reinforce the techniques and theories that have already been learned and how to innovate them.
For a long time, human beings have considered the senses as a gateway to the outside world, through which we explore our environment and obtain basic information for survival (instincts). Through these experiences we will try to generate a paradigm shift in the conception of our sensory system, opening another access door, but this time to the inner world, where everything that drives our work, our movement, our most genuine creation is found. . We aim to help connect artistic expression to the most authentic version of our being.
Through music, movement and the encounter with the other, we will seek the answer to these and other questions, and we will find a direct way of connection with our essence and intuition. We will explore the seven senses, the five known to all, and two systems currently considered as part of our perception: the vestibular system, in charge of movement and the proprioceptive system, in charge of space-time, the true door of the eternal here and now.
Our workshop is a beautiful and deep psycho-physical-emotional work, which will use artistic and human resources within our reach, to understand experientially the universal archetypes, which symbolize the unconscious parts of our mind, this allows whoever experiences, a more conscience expanded, which you can later extend to any aspect of your life, from the artistic, professional to the personal. Integrating musicality into the body, so that it can be expressed on stage, is one of the objectives of this workshop, and the creative-existential renewal.
Máster en creación teatral impartido por la Universidad Carlos III de Madrid, dirigido por Juan Mayorga.
Actriz egresada de la Escuela de Arte Dramático de Montevideo, también se formó en Dramaturgia y en Canto lírico.
Es becada para su formación en dirección por la fundación Teatro a Mil (Chile) Goethe Institut (Alemania) e INAE (Uruguay). Participa del Seminario en el Festival de Avignon en 2019 y de la residencia artística “Territorio en diálogo” en la ciudad de Bologna- Italia.
Fue becada por el Lincoln Center en Nueva York para su laboratorio de dirección en 2018.
En el ámbito profesional estrena una decena espectáculos de autoría, bajo su dirección, en Uruguay, Chile, Colombia, España y Portugal.
En el año 2014 es galardonada con el premio Nacional de teatro Florencio Sánchez por su ópera prima “Música de fiambrería”.
Trabaja activamente con la compañía de teatro uruguaya La Morena recorriendo el mundo y recibiendo reconocidos premios.
Como cantante formó parte del reconocido grupo musical uruguayo “La Tabaré” y desarrolla una carrera como solista editando su primer disco “CICATRIZ”.
Dentro de su personal línea de trabajo, Trentini busca la conjunción del teatro con otras disciplinas artísticas, explotando al máximo sus posibilidades creativas dentro de la canción y la performance.